The day when the mole was invented
$2,341
About This Work
This collage drifts like a dream stitched from fragments of a life half‑remembered. Papers, symbols, and stray words rise and fall across the surface like echoes—“AGAINST THIS NORMAL,” “ROMANIA,” “DADA”—tiny rebellions glowing through layers of color. Warm oranges and yellows pulse beneath metallic greys, as if memory itself were smoldering under steel.
Nothing here sits still. Textures overlap like shifting seasons, analog dust meeting digital pulse, bureaucracy dissolving into play. Even the smallest details—tiles spelling “MIAU,” a perforated circle, a thank‑you note—become constellations in a private sky. The piece feels like a map of a soul in motion: tender, ironic, restless, and beautifully unafraid to break its own borders.
Abstract mixed media painting: acrylic paints and sprays, found objects, ink, metallic contours, zinc rings, various fragments from old magazines and newspapers, colored pieces of cardboard, etc.
Nothing here sits still. Textures overlap like shifting seasons, analog dust meeting digital pulse, bureaucracy dissolving into play. Even the smallest details—tiles spelling “MIAU,” a perforated circle, a thank‑you note—become constellations in a private sky. The piece feels like a map of a soul in motion: tender, ironic, restless, and beautifully unafraid to break its own borders.
Abstract mixed media painting: acrylic paints and sprays, found objects, ink, metallic contours, zinc rings, various fragments from old magazines and newspapers, colored pieces of cardboard, etc.
